Should Metallica call Christopher Molloy to join the heavy-metal band for a road tour, he’s ready. “I’ll get some tattoos, whatever you need,” he says. But, first, Molloy will honor an engagement to ...

This is an Adès at ease with himself, at ease with his material, at ease with his means, and prepared to delight as well as dazzle. The opening “Inferno” section is a series of discrete dances, ...

The Australian Brandenburg Orchestra brings one of the world’s most sought-after classical artists, harpist Xavier de Maistre, to Queensland for a one-off performance in the Concert Hall, at QPAC in ...

I have been eagerly awaiting this disc of Thomas Adès’s Dante since seeing the Covent Garden production in late 2021, which grabbed me, no natural balletomane, with a firm grip. I realised at the time ...